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Title : Rereading "The Lottery," rewriting "Tangled Up In Blue."
link : Rereading "The Lottery," rewriting "Tangled Up In Blue."

Rereading "The Lottery," rewriting "Tangled Up In Blue."

I'm noticing the "Most Popular" list in the sidebar at The New Yorker today:



It wasn't originally published on Halloween, but I've seen it mentioned a few times recently, as people engage in seasonal talk about what's the scariest story. The New Yorker originally published "The Lottery" by Shirley Jackson on June 26, 1948, and they're featuring it again now. It begins with what long ago became a horror-movie cliché, the lovely, seemingly normal day:

The morning of June 27th was clear and sunny, with the fresh warmth of a full-summer day; the flowers were blossoming profusely and the grass was richly green.

Of course, I'm also interested in "Bob Dylan’s First Day with 'Tangled Up in Blue.'" Can't be anything too creepy and weird in there.

Most interesting, while Dylan gamely puts the band through their paces on the seemingly easy blues of “Call Letter Blues” and “Meet Me in the Morning” (after attempts at “Simple Twist of Fate” failed miserably), he never lets them near what he surely senses must be his latest masterpiece: “Tangled Up in Blue.” And so, on the afternoon of September 17th, Dylan steps up to the microphone and delivers a hushed, intense, and powerfully intimate version of that song, accompanied only by Brown on bass.

Audio at the link.

While Dylan is known to endlessly and brutally edit his lyrics until the very last minute in the studio... “Tangled Up in Blue” is the one song in Dylan’s vast catalogue that he has never seemed to be finished with...

Fans who have seen Dylan in concert recently will recognize some of the changes, of how “he let the law take its course” has taken the place of using “a little too much force,” or how instead of “fishing outside Delacroix,” “everybody’d gone somewhere.” Of course, the past is still close behind, “following me like a shadow that couldn’t get out of my mind / sticking like glue / Tangled up in blue,” but she isn’t working in a topless bar anymore but at the Moonlight Lounge, “where men put money in her hand.” “There’s always been a certain truth about money that I never did understand,” this new version of Dylan’s classic tells us. “You put things to bed and you’ll call it a day / Sometimes you go along for the ride / You pick your brains and you bury the hatchet / Then you walk on the wild side / Towns are ruined and cities burns and images disappear / Weep with all of your heart if you would / I too cried a tear / Nothing you can do / If you’re tangled up in blue.” It recasts the song in the spirit of our times, in the same way the original was so much a product of the Vietnam and Watergate era....

 It's like blogging, continually rewriting the lyrics to "Tangled Up In Blue."

Thus articles Rereading "The Lottery," rewriting "Tangled Up In Blue."

that is all articles Rereading "The Lottery," rewriting "Tangled Up In Blue." This time, hopefully can provide benefits to all of you. Okay, see you in another article posting.

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