Title : "Most of us have gone on some sort of spiritual or existential odyssey in the last 19 months. Some were André, burning it all down..."
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"Most of us have gone on some sort of spiritual or existential odyssey in the last 19 months. Some were André, burning it all down..."
"... in the name of growth (and broadcasting it to anyone who would listen). Others were Wally, hiding under electric blankets, an anodyne to the suffering of the world because 'our lives are tough enough as it is.' Most of us were both — self-aware enough to know what’s coming but not yet brave enough to get out. Over a digestif, André concedes that his experimental antics have gotten old in the same way his past life has, and he has ended up with more questions and torment than before. His struggles to find meaning have been in vain, like interrogating an unexamined life, or a forever war or a plague. When the check arrives, André pays, Wally splurges on a cab home and nothing is resolved. No moralizing or grand resolutions — just malaise, the kind you’re left with after you meet up with an old friend who talks about himself the entire time."From "'My Dinner With André' at 40: Still Serving Hot Takes The film was a feature-length conversation. And it is still stirring up plenty of chatter today" by Mariella Rudi (NYT).
The movie — my favorite movie — premiered 40 years ago yesterday. I don't watch movies that often these days, but I did watch 2 movies in the last 2 days, which I rarely do. One was a movie that gives me a similiar experience to "André": "Coffee and Cigarettes." The other could be compared to "André" in that it's about the loss of the soul in a world of media: "To Die For."
ADDED: In the closing credits to "Coffee and Cigarettes," we hear Iggy Pop's version of "Louie Louie," which contains the line: "Turn on the news/It looks like a movie/It makes you want to sing/'Louie Louie.'" Iggy appears on one segment of the movie, consuming coffee and cigarettes with Tom Waits. Both men have quit smoking, and the celebrate quitting by having a smoke.
The last thing you see in the credits is "Long live Joe Strummer." I had to google to try to understand what that was about. I don't really know, but I found this:
And this — from a 2019 interview with the director, Jim Jarmusch:
You cast musicians frequently in your films and one of my favorite bits of casting is Joe Strummer in 1989’s Mystery Train. What drew you to Joe Strummer as “Elvis”?
Joe Strummer is a friend of mine, someone I deeply admire. He’s quite an interesting actor, he’s very focused. He and I were sort of like brothers in a way. Joe Strummer, in the most minimal way, taught me one of the most valuable things I’ve ever learned about human expression. That is what all of Strummer’s friends know as “Strummer’s Law,” these four words: no input, no output. You see that in The Clash, you see that in their openness to rockabilly, to reggae, to soul music, to hip-hop. You know, see that openness. In that way, The Clash are the antithesis of the Sex Pistols, who were super great in their style of reduction down to the essence. The Clash were open … like “Throw open the doors, see what the wind blows in on us.” Strummer was a very important person in my life. He’s someone who I miss a lot. I try to ask him advice sometimes, even now, and see what channels back to me. A remarkable person. I was so honored to know him.
Ah. Joe Strummer died in December 2002. "Coffee and Cigarettes" came out in 2003. Elvis died in 1977.
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