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"Most of the words in movies aren't worth hearing anyway, and you forget them — they're like words on television — dramatic shows. It's no great loss if you don't get all the dialogue...."

"Most of the words in movies aren't worth hearing anyway, and you forget them — they're like words on television — dramatic shows. It's no great loss if you don't get all the dialogue...." - Hallo friend USA IN NEWS, In the article you read this time with the title "Most of the words in movies aren't worth hearing anyway, and you forget them — they're like words on television — dramatic shows. It's no great loss if you don't get all the dialogue....", we have prepared well for this article you read and download the information therein. hopefully fill posts Article HOT, Article NEWS, we write this you can understand. Well, happy reading.

Title : "Most of the words in movies aren't worth hearing anyway, and you forget them — they're like words on television — dramatic shows. It's no great loss if you don't get all the dialogue...."
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"Most of the words in movies aren't worth hearing anyway, and you forget them — they're like words on television — dramatic shows. It's no great loss if you don't get all the dialogue...."

Says Pauline Kael in 1971, here:

 

She's fighting for a particular movie — Robert Altman's "McCabe and Mrs. Miller" — that got trashed by some critics for it's hard-to-hear soundtrack. But watch as the camera pulls back and reveals that sitting next to her is Rod Serling, whose "Twilight Zone" was a television dramatic show and it absolutely did expect you to get every word. There was no random chitchat that you could let drift by and be satisfied to think of a component of the general ambiance.

I respect Kael's staunch defense of a great movie that needed saving from oblivion, but that gratuitous swipe at television writing while sitting next to Rod Serling? Painful.

Here's Robert Altman himself — shortly thereafter, on the same TV talk show (Dick Cavett) — explaining that the soundtrack of "McCabe and Mrs. Miller" really had a technical problem. It wasn't an artistic choice. 

 

Altman doesn't bullshit and fight for himself the way Kael fought for him. He's more of a bumbler, like a character in one of his films. Ironically, Kael, the appreciator of the messy workproduct, is crisply delineated, like a character on "Twilight Zone."



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that is all articles "Most of the words in movies aren't worth hearing anyway, and you forget them — they're like words on television — dramatic shows. It's no great loss if you don't get all the dialogue...." This time, hopefully can provide benefits to all of you. Okay, see you in another article posting.

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