Title : "[W]hen an alleged rapist writes a book about a brilliant but problematic novelist, and when that book is lauded and celebrated up until..."
link : "[W]hen an alleged rapist writes a book about a brilliant but problematic novelist, and when that book is lauded and celebrated up until..."
"[W]hen an alleged rapist writes a book about a brilliant but problematic novelist, and when that book is lauded and celebrated up until..."
"... the moment two women say the author assaulted them — when all that happens, you wonder how the 900-page tome reads in hindsight."
Writes Monica Hesse (in WaPo). She bought the book after the publisher withdrew it. You can still download the Kindle version.
That takes some of the heat out of the argument that the book has been censored. I stand by my opinion — expressed here — that the book should be sold no matter what the author, Blake Bailey, may have done. The book is not doing any sort of active harm — where we might have a real debate about censorship. It's just the argument that the author is a bad person, and these are only allegations. I would support publishing the book even if Bailey had shot a man on 5th Avenue in broad daylight. Roth is an overwhelmingly important writer, and this was the biographer he authorized, which caused many people to give interviews to Bailey. It's unfair to the Roth to deprive him of the story of himself that he chose Bailey to tell, and it's unfair to keep that story from us.
But we can get the Kindle version. And maybe we're more interested in it now. Monica Hesse interested — interested in reading the book with "hindsight." I guess that means that all the time she's reading about Roth, she's thinking about how she's hearing the story of this "problematic" man as analyzed by another problematic man. Let's see what Hesse makes out of her assigned task of perceiving the problematic through an extra layer of problematizing:
You find yourself scrolling to a random page and reading a description of Roth’s first marriage: “Maggie’s sinuses were, of course, the least of their problems. Even at the best of times she couldn’t resist interrupting his work on the thinnest of pretexts (‘Could you go out and get half a pound of Parmesan cheese?’).” One could write a whole essay unpacking the premises propping up this sentence. Why is it unreasonable for Philip Roth to be asked to purchase an ingredient for the dinner he is presumably going to eat? Who purchased the rest of the groceries? One assumes it was Maggie. Was her day not “interrupted” when she shopped for and prepared the meal? What is the difference between a “thin pretext” and a valid request, other than whether the asker is Philip Roth or his shrewish, sinus-clogged wife?
Ha ha ha. That is rich. That's some really good feminist writing. Bailey is damned by his "thinnest of pretexts." He assumes Maggie just wanted to interrupt Roth, that there couldn't possibly be a legitimate reason for the person cooking dinner to ask the other person in the house to go out and buy a missing ingredient. Bailey seems to think that the other person in a house with a Genius at Work must know not even to ask for help with mundane household matters.
Here — if you're going to Amazon to download the Kindle of the Roth bio (or anything else) — why not buy this sign to tack onto your study door and see how it works out with your stuffed-up spouse:
When Roth began “openly dating other people” while still married, Maggie’s “demands for his attention took more and more bizarre forms,” Bailey writes — as if trying to rekindle affection from a serially philandering spouse is nonsensical and strange....
“Even at his worst, when [Roth] was ranting and raving at his ‘b---- of a wife,’ he was charming and funny and essentially benign,” Bailey told an interviewer with the Los Angeles Times....
Most people wouldn’t trust a sentence reading, “all women are nagging shrews,” but we all can be swayed by the skillful, gently persuasive phrasing that good writers know how to employ, and both Roth and Bailey are very good writers. This is how a misogynistic culture is conceptualized, created, cultivated and codified.
It doesn’t happen because one dude does a bad thing. It happens when like-minded dudes are allowed to be one another’s gatekeepers, and the gatekeepers of broader culture, when faults are allowed to go unexamined, and so they instead spread: Harvey Weinstein dictated the content of movie theaters for decades; it turns out he was abusing women all along. Roger Ailes, Charlie Rose and Matt Lauer shaped coverage and discussion of sexual misconduct scandals throughout the 1990s and 2000s; they were later accused of sexual misconduct themselves.
Exactly. Very well put.
This is well put too:
“We leave a stain, we leave a trail, we leave our imprint,” as Roth himself wrote in the 2000 Pen/Faulkner Award-winning novel, “The Human Stain.” “Impurity, cruelty, abuse, error, excrement, semen — there’s no other way to be here. We leave a stain.”
(There is no comments section anymore, but you can email me here.)
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