"Mr. Jacobs’s parody of the Great American Songbook prompted Irving Berlin and a group of song publishers representing the work of Cole Porter, Rodgers and Hammerstein and others to sue..." - Hallo friend USA IN NEWS, In the article you read this time with the title "Mr. Jacobs’s parody of the Great American Songbook prompted Irving Berlin and a group of song publishers representing the work of Cole Porter, Rodgers and Hammerstein and others to sue...", we have prepared well for this article you read and download the information therein. hopefully fill posts Article HOT, Article NEWS, we write this you can understand. Well, happy reading.

Title : "Mr. Jacobs’s parody of the Great American Songbook prompted Irving Berlin and a group of song publishers representing the work of Cole Porter, Rodgers and Hammerstein and others to sue..."
link : "Mr. Jacobs’s parody of the Great American Songbook prompted Irving Berlin and a group of song publishers representing the work of Cole Porter, Rodgers and Hammerstein and others to sue..."

"Mr. Jacobs’s parody of the Great American Songbook prompted Irving Berlin and a group of song publishers representing the work of Cole Porter, Rodgers and Hammerstein and others to sue..."

"... Mad’s parent company, E.C. Publications, for copyright infringement. At issue was 'Sing Along With Mad,' a pullout section published in 1961 that consisted entirely of song parodies by Mr. Jacobs and Larry Siegel. Among them were 'Louella Schwartz Describes Her Malady' (a lampoon of Berlin’s 'A Pretty Girl Is Like a Melody') and 'The First Time I Saw Maris' (a spoof of Jerome Kern and Oscar Hammerstein II’s 'The Last Time I Saw Paris'), about the commercialization of the Yankee slugger Roger Maris during the season he hit a record-breaking 61 home runs.... In his opinion, [2d Circuit] Judge Irving R. Kaufman (most famous for presiding over Julius and Ethel Rosenberg’s espionage trial) wrote, 'The fact that defendants’ parodies were written in the same meter as plaintiffs’ compositions would seem inevitable if the original was to be recognized, but such a justification is not even necessary; we doubt that even so eminent a composer as plaintiff Irving Berlin should be permitted to claim a property interest in iambic pentameter.'"

From "Frank Jacobs, Mad Magazine Writer With a Lyrical Touch, Dies at 91/He deftly mocked pop culture, politics and more for 57 years/He also wrote new lyrics for familiar songs, which led to a lawsuit from Irving Berlin and others" (NYT).

1961 — I think that's about when I discovered Mad. I was 10! It was the first thing I ever subscribed to. The writings of Frank Jacobs played such an important role in the development of my young mind.

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