Title : "In the early nineteen-eighties... a brief craze called Martian poetry hit our literary planet."
link : "In the early nineteen-eighties... a brief craze called Martian poetry hit our literary planet."
"In the early nineteen-eighties... a brief craze called Martian poetry hit our literary planet."
"It was launched by Craig Raine’s poem 'A Martian Sends a Postcard Home' (1979). The poem systematically deploys the technique of estrangement or defamiliarization—what the Russian formalist critics called ostranenie—as our bemused Martian wrestles into his comprehension a series of puzzling human habits and gadgets: 'Model T is a room with the lock inside— / a key is turned to free the world / for movement.' Or, later in the poem: 'In homes, a haunted apparatus sleeps, / that snores when you pick it up.' For a few years, alongside the usual helpings of Hughes, Heaney, and Larkin, British schoolchildren learned to launder these witty counterfeits: 'Caxtons are mechanical birds with many wings / And some are treasured for their markings— / they cause the eyes to melt / or the body to shriek without pain. / I have never seen one fly, but / Sometimes they perch on the hand.' Teachers liked Raine’s poem, and perhaps the whole Berlitz-like apparatus of Martianism, because it made estrangement as straightforward as translation. What is the haunted apparatus? A telephone, miss. Well done. What are Caxtons? Books, sir. Splendid."
From "Kazuo Ishiguro Uses Artificial Intelligence to Reveal the Limits of Our Own/In his latest novel, the gaze of an inhuman narrator gives us a new perspective on human life, a vision that is at once deeply ordinary and profoundly strange" by James Wood (in The New Yorker).
Here's the full text of "A Martian Sends a Postcard Home."
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