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"Mr. Le Va used his own body as material, violently, with 'Impact Run Velocity Piece,' an audio work that he performed just once — and recorded..."

"Mr. Le Va used his own body as material, violently, with 'Impact Run Velocity Piece,' an audio work that he performed just once — and recorded..." - Hallo friend USA IN NEWS, In the article you read this time with the title "Mr. Le Va used his own body as material, violently, with 'Impact Run Velocity Piece,' an audio work that he performed just once — and recorded...", we have prepared well for this article you read and download the information therein. hopefully fill posts Article HOT, Article NEWS, we write this you can understand. Well, happy reading.

Title : "Mr. Le Va used his own body as material, violently, with 'Impact Run Velocity Piece,' an audio work that he performed just once — and recorded..."
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"Mr. Le Va used his own body as material, violently, with 'Impact Run Velocity Piece,' an audio work that he performed just once — and recorded..."

"... at Ohio State University in 1969. Here he ran repeatedly at full speed into opposite walls of a gallery until he was unable to proceed. The recording was then played in the open gallery, leaving visitors to deduce his actions from sound alone: footsteps, impact and slowing pace. He allotted 30 seconds for each run. In one interview he said he had kept it up for an hour and 45 minutes (more than 200 sprints), at which point friends ended the performance, fearing for his health. The recorded piece is in the collection of the Centre Pompidou in Paris. By contrast, some Le Va works were overtly gentle, even serene. An especially beautiful example, from 1968-69, was made entirely of chalk dust.... The material, gathered into dunelike drifts, resembled an indoor earthwork. It was swept up and discarded when the show closed this month...."

From "Barry Le Va, Whose Floor-Bound Art Defied Boundaries, Dies at 79/Extolling horizontality, he made sculptures from felt, flour, glass sheets and even meat cleavers. Elsewhere, in a performance piece, his body was a sprinting projectile" by Roberta Smith (NYT).



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