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For some reason, Bob Dylan has decided that what we need right now is a 17-minute song about the Kennedy assassination.

For some reason, Bob Dylan has decided that what we need right now is a 17-minute song about the Kennedy assassination. - Hallo friend USA IN NEWS, In the article you read this time with the title For some reason, Bob Dylan has decided that what we need right now is a 17-minute song about the Kennedy assassination., we have prepared well for this article you read and download the information therein. hopefully fill posts Article HOT, Article NEWS, we write this you can understand. Well, happy reading.

Title : For some reason, Bob Dylan has decided that what we need right now is a 17-minute song about the Kennedy assassination.
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For some reason, Bob Dylan has decided that what we need right now is a 17-minute song about the Kennedy assassination.

Released at just this last midnight:



Bob adds a message: "Greetings to my fans and followers with gratitude for all your support and loyalty across the years. This is an unreleased song we recorded a while back that you might find interesting. Stay safe, stay observant and may God be with you."

You might find interesting....

According to Variety, all Dylan's people will say is that the song was recorded "a while back." Dylan hasn't released any new songs (only cover songs) since 2012. Some of the song is "extremely literally of the Kennedy assassination" — "They blew off his head while he was still in the car" — but it also "breaks more freely into a pop-culture fantasia":
Dylan frequently references or riffs on 1960s events, catchphrases or titles, with lines that include: “The Beatles are coming, they’[r]e gonna hold your hand” (the arrival of the Fab Four in America in early 1964 is regarded by some as a tonic to the lingering depression from the assassination); “ferry cross the Mersey and go for the throat” (only part of which is a nod to Gerry and the Pacemakers); “Tommy can you hear me, I’m the Acid Queen,” and “I’m going to Woodstock, it’s the Aquarian age / Then I’ll go to Altamont and stand near the stage.”

Dylan doesn’t have his head entirely in the ’60s: “Frankly Miss Scarlett, I don’t give a damn” also comes up for a citation. And eventually, so do — moving into the ’70s, and beyond and back — Lindsey Buckingham and Stevie Nicks, Don Henley and Glenn Frey, the Allman Brothers Band’s Dickey Betts, “Only the Good Die Young, “Nightmare on Elm Street,” Buster Keaton, Harold Lloyd, Art Pepper, Oscar Peterson, Stan Getz, “Charlie Parker and all that junk,” Nat King Cole, Marilyn Monroe, John Lee Hooker, Wolfman Jack, Patsy Cline, Houdini, “Wake Up Little Suzy,” “Let the Good Times Roll,” “The Old Rugged Cross,” “Down in the Boondocks,” “The Merchant of Venice,” “Memphis in June,” “Moonlight Sonata,” “Play Misty for Me,” “Lonely at the Top” and “Lonely Are the Brave.”...
Why this song? Why now?

Stay observant.


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