Title : "I remember seeing Mark David Chapman, Lennon’s assassin, sitting on the railing outside the porte-cochère that distinguished the Dakota as a gracious reminder of horse-and-carriage days...."
link : "I remember seeing Mark David Chapman, Lennon’s assassin, sitting on the railing outside the porte-cochère that distinguished the Dakota as a gracious reminder of horse-and-carriage days...."
"I remember seeing Mark David Chapman, Lennon’s assassin, sitting on the railing outside the porte-cochère that distinguished the Dakota as a gracious reminder of horse-and-carriage days...."
"As we settled down to watch the 11 o’clock news, a succession of loud detonations brought us to our feet. We ran to my studio window on 72nd and saw a black limousine in the driveway by the Dakota’s porte-cochère. Its lights were on, and a figure was lying by the open rear door. We identified John at a glance by his cowboy boots and round glasses, which reflected the bright lights of the entrance. He lay face up, slightly crumpled, with his feet pointing toward the street. The tremendous crashing that startled us had been the sound of the four or five gunshots reverberating within the passage.... There was a camera on the desk in my studio, and I instinctively grabbed it. For the record, it was a Nikkormat EL fitted with a telephoto lens, loaded with high-speed black-and-white film that I often used to snap photos out of the window and around town. The night was clear and the scene was lit up. With the camera cocked and my finger on the shutter release, I focused on John’s face, the face of a dying man. Then I said to myself, 'This isn’t my work. Whoever is there deserves a final moment of privacy.'"From "The Photograph Not Taken: The Night John Lennon Died" by Robert Morgan (Princeton Alumni Weekly, December 2, 2015).
I'm reading that today because of a new item in the NYT: "The Hidden Perk That New York’s Mega-Rich Now Demand/The porte cochère, a covered entry, all but disappeared decades ago. High-end buildings catering to car owners are bringing it back." That ran in the Christmas Day paper edition with the headline, "A Revived Relic Hides the Wealthy From Prying Eyes." There's no mention of Lennon or even the Dakota.
The modern porte cochère is all about invisibility, or at least providing cover from prying eyes on city streets. Celebrities, V.I.P.s and ultra-high-net-worth types, especially those who are not regulars in the gossip columns, do not want to be seen coming and going. The porte cochère is their shield from photographers, professionals and fans or mere passers-by with cellphones held high.Okay. The feeling of protection, sold to the rich, most of whom have forgotten or never knew "porte-cochère" in the context of the murder of John Lennon. To me, "porte-cochère" connotes a hiding place for a fiend lying in wait.
The NYT article is long, and it's one of the many articles that run counter to the usual leftish politics that otherwise permeate the newspaper. In the NYT, real estate drifts along in a dreamworld of envy and aspiration. What new thing can be ached for? Here it is kids: a porte-cochère! It's the latest most retrograde amenity for your ugly urban palace. Now, scoot in there and read the NYT, which will tell you about the awful, filthy rich real estate mogul who cheated his way into the presidency.
Thus articles "I remember seeing Mark David Chapman, Lennon’s assassin, sitting on the railing outside the porte-cochère that distinguished the Dakota as a gracious reminder of horse-and-carriage days...."
that is all articles "I remember seeing Mark David Chapman, Lennon’s assassin, sitting on the railing outside the porte-cochère that distinguished the Dakota as a gracious reminder of horse-and-carriage days...." This time, hopefully can provide benefits to all of you. Okay, see you in another article posting.
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