Title : "Those looking for any apologetic notes or reckoning with the damage he has done will be disappointed. He is not aiming for redemption onstage."
link : "Those looking for any apologetic notes or reckoning with the damage he has done will be disappointed. He is not aiming for redemption onstage."
"Those looking for any apologetic notes or reckoning with the damage he has done will be disappointed. He is not aiming for redemption onstage."
"If anything, he’s doubling down on the comedic value of saying the wrong thing. 'That’s the point of this,' he said, motioning to himself onstage. He didn’t repeat the now cliché comedian complaints about generational sensitivities or snowflakes, but the central theme of the night was the cathartic release of transgression. His subjects (Sept. 11, slavery, pedophilia, the Holocaust) made the case. He turned his new reputation in the #MeToo era into a springboard for jokes. 'Wait until they find those pictures of me in blackface,' he said. The audience, which gave him standing ovations, roared. Then he pushed further, saying he has done blackface for years. 'I didn’t do it to be funny,' he added. 'I liked it. Felt good. I do it for bedtime.'"From "Louis C.K. Doubles Down on the Value of Saying the Wrong Thing/On his first tour since admitting misconduct, the comedian’s theme was the cathartic release of transgression as he delivered bits about his mother’s death and religion" (NYT), by Jason Zinoman, who laughed a lot and also found the show "uncomfortable." The discomfort seemed to be something Louis was "in control of" and also not in control of." Zinoman also credits himself with "a high tolerance for enjoying art from morally suspect places."
Thus articles "Those looking for any apologetic notes or reckoning with the damage he has done will be disappointed. He is not aiming for redemption onstage."
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