"[T]he expanded MoMA is making obvious efforts to reshape its image without going entirely off-brand — to tell the tale of what might be called Modernism Plus, with globalism and African-American art added...." - Hallo friend USA IN NEWS, In the article you read this time with the title "[T]he expanded MoMA is making obvious efforts to reshape its image without going entirely off-brand — to tell the tale of what might be called Modernism Plus, with globalism and African-American art added....", we have prepared well for this article you read and download the information therein. hopefully fill posts Article HOT, Article NEWS, we write this you can understand. Well, happy reading.

Title : "[T]he expanded MoMA is making obvious efforts to reshape its image without going entirely off-brand — to tell the tale of what might be called Modernism Plus, with globalism and African-American art added...."
link : "[T]he expanded MoMA is making obvious efforts to reshape its image without going entirely off-brand — to tell the tale of what might be called Modernism Plus, with globalism and African-American art added...."

"[T]he expanded MoMA is making obvious efforts to reshape its image without going entirely off-brand — to tell the tale of what might be called Modernism Plus, with globalism and African-American art added...."

"The first gallery, now labeled '19th Century Innovators,' is pretty much a painting hit parade — Cezanne’s 'Still Life with Apples' (1895-98), Rousseau’s 'The Sleeping Gypsy' (1897) and, straight ahead, van Gogh’s 'The Starry Night' (1889).... But to this familiar two-dimensional European world MoMA has introduced an American wild card: half a dozen nugget-like ceramic bowls and jugs by George Ohr (1857-1918), the self-proclaimed 'Mad Potter of Biloxi.'... The gallery [that is] a virtual Picasso shrine, with his 1907 'Les Demoiselles d’ Avignon' at the center, and related pictures ranged around it... there’s... a 1967 painting, acquired in 2016, by the African-American artist Faith Ringgold depicting an explosive interracial shootout. Titled 'American People Series #20: Die,' it speaks to 'Demoiselles' both in physical size and in visual violence. And just by being there it points up the problematic politics of a work like Picasso’s — with its fractured female bodies and colonialist appropriations — that is at the core of the collection. MoMA traditionalists will call the pairing sacrilegious; I call it a stroke of curatorial genius.... Multicultural is now marketable. To ignore it is to forfeit profit, not to mention critical credibility."

Writes Holland Cotter in "MoMA Reboots With ‘Modernism Plus’/If they moved Monet, don’t despair. There are stimulating ideas and unexpected talents at every turn, from Africa, Asia, South America, and African America. (And plenty of works by women.)" (NYT).

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