Title : The famous architect I.M. Pei has died at the age of 102.
link : The famous architect I.M. Pei has died at the age of 102.
The famous architect I.M. Pei has died at the age of 102.
I'm reading "Six of I.M. Pei’s Most Important Buildings/The architect’s legacy includes some of the world’s most recognizable buildings, including the Louvre Pyramid" (NYT).First on the list is National Center for Atmospheric Research, which we walked around just a few weeks ago. Here's a photograph of it that I took in 2014.
The NYT has a close up photo of the building, but I liked the distant view, which showed how it fit with the rocks in the landscape in Boulder, Colorado.
Fifth on the list is the Rock and Roll Hall of Fame. Here's my photograph of that, taken in 2009. Again the NYT photo is more close up, and I like to show the setting to see how the object fits the place. In this case, it's Cleveland, right on the shore of Lake Erie:
The other buildings on the NYT list are the Everson Museum of Art (in Syracuse, NY), the East Building of the National Gallery of Art (in Washington, D.C.), the Museum of Islamic Art (in Doha, Qatar), and, of course, that glass pyramid that's part of the Louvre in Paris and about which Pei said — presumably because of all the criticism — "If there’s one thing I know I didn’t do wrong, it’s the Louvre."
And here's the NYT obituary. Excerpt:
And all of his work — from his commercial skyscrapers to his art museums — represented a careful balance of the cutting edge and the conservative.
Mr. Pei remained a committed modernist, and while none of his buildings could ever be called old-fashioned or traditional, his particular brand of modernism — clean, reserved, sharp-edged and unapologetic in its use of simple geometries and its aspirations to monumentality — sometimes seemed to be a throwback, at least when compared with the latest architectural trends.
This hardly bothered him. What he valued most in architecture, he said, was that it “stand the test of time.”
He maintained that he wanted not just to solve problems but also to produce “an architecture of ideas.” He worried, he added, “that ideas and professional practice do not intersect enough.”
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