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"If I ever incarnate, I hate to be a human being any more.... Oh yes, I would like to be...a shellfish living on the rock-bottom of the sea."

"If I ever incarnate, I hate to be a human being any more.... Oh yes, I would like to be...a shellfish living on the rock-bottom of the sea." - Hallo friend USA IN NEWS, In the article you read this time with the title "If I ever incarnate, I hate to be a human being any more.... Oh yes, I would like to be...a shellfish living on the rock-bottom of the sea.", we have prepared well for this article you read and download the information therein. hopefully fill posts Article HOT, Article NEWS, we write this you can understand. Well, happy reading.

Title : "If I ever incarnate, I hate to be a human being any more.... Oh yes, I would like to be...a shellfish living on the rock-bottom of the sea."
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"If I ever incarnate, I hate to be a human being any more.... Oh yes, I would like to be...a shellfish living on the rock-bottom of the sea."

A line that explains the movie title "I Want to Be a Shellfish." I'm reading the plot summary of this 1959 movie...
On a post-war peaceful day in Japan, Toyomatsu Shimizu, a barber as well as a good father and husband, is suddenly arrested by the Prefectural Police as a war criminal and sued for murder. According to the accusation by GHQ, Toyomatsu "attemped to kill a US prisoner," which was nothing but an order by his superior and failed after all with hurting the prisoner by weak Toyomatsu. Also, Toyomatsu was driven to corner at the trial by the fact that he fed the US prisoner some burdock roots to nourish him. Toyomatsu believes nothing but being not guilty, but he is sentenced to death by hanging. Prior to the execution, Toyomatsu writes a long farewell letter to his family, the wife and the only son: "If I ever incarnate, I hate to be a human being any more.... Oh yes, I would like to be...a shellfish living on the rock-bottom of the sea."
... because I saw the puzzling title in the NYT obituary, "Shinobu Hashimoto, Writer of Towering Kurosawa Films, Is Dead at 100." Hashimoto wrote the screenplay for the Kurosawa movies "Rashomon," "Ikiru," "Seven Samurai," "Throne of Blood," "The Hidden Fortress," and "Dodes’ka-den." I've seen all those films. Have you? "The Hidden Fortress" story was the basis for "Star Wars." "Rashomon" was the basis for a million invocations — something I wrote about at some length in 2000:

Rashomon - the classic film directed by Akira Kurosawa - has been receiving quite a few invocations lately. Somehow this cinematic depiction of a single event seen different ways as narrated by four witnesses suggests itself as just the right allusion for these times. Here is a sampling:
To Monica Lewinsky, President Clinton was a powerful man who needed no urging to succumb to sexual temptation.

To Linda Tripp, he was an irresponsible philanderer who needed to be stopped.

To White House aides and security, he was a secretive - and at times duplicitous - boss who needed protection from himself.

These Rashomon-like views of the commander-in-chief ...

In their trial briefs, the President's defense team and the House prosecutors present their Senate jury with a legal version of "Rashomon," in which the main characters recall the same events differently.

[CBS Anchor Dan] Rather blithely summed up the proceedings as "less like "Perry Mason' and more like the movie "Rashomon.' The truth is never absolute."

Meanwhile, all this leaves the citizenry, not to mention the president, in a rather unpleasant pickle. From the point of view of justice, this is a tale of Rashomon ...

With one hand jauntily in his pocket, one foot tucked behind the other, [President Clinton] turned every question around in a preposterous way, trying to treat "All the President's Men" as "Rashomon," acting as if there were no such thing as the truth, just a bunch of irreconcilable interpretations.
"Rashomon" has not reached the point where it works as a word with an understood meaning .... Look at all of the added explanation: "The main characters recall the same events differently," "the truth is never absolute," and "no such thing as the truth, just a bunch of irreconcilable interpretations." Those descriptive tags do not even completely gibe with each other. Are we talking about the imperfection of memory? The notion that there is no truth? "Rashomon" seems to pop up whenever a story is muddled, regardless of why the story is muddled. Are these writers handing us a high-tone cinematic justification for shrugging our shoulders, a sort of fancier way of saying, "Ah well, it's all he-said-she-said"? What does this fashion for invoking Rashomon really mean?
Click on the link if you want to see all the footnotes. That was published in a law review, back in the days when I believed unusual things could and should be published in law reviews, 4 years before I transferred my writing onto this blog. I should look at more recent invocations of "Rashomon," but you can see they were big during the Clinton administrations. Let me say, because I don't expect you to read my little article: I don't accept that the movie's message is that there is no truth but just a bunch of stories.

Anyway, I haven't seen "I Want to Be a Shellfish" — though I have seen "The Lobster," which is a man who gets to choose what animal he's to be turned into and who choose the lobster. "I Want to Be a Shellfish" was written by Hashimoto and also directed by Hashimoto.



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