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"I do not want to sit and make a nest and be comfortable, and I did feel so comfortable that I stopped being involved as a person and an artist and that is not something I want."

"I do not want to sit and make a nest and be comfortable, and I did feel so comfortable that I stopped being involved as a person and an artist and that is not something I want." - Hallo friend USA IN NEWS, In the article you read this time with the title "I do not want to sit and make a nest and be comfortable, and I did feel so comfortable that I stopped being involved as a person and an artist and that is not something I want.", we have prepared well for this article you read and download the information therein. hopefully fill posts Article HOT, Article NEWS, we write this you can understand. Well, happy reading.

Title : "I do not want to sit and make a nest and be comfortable, and I did feel so comfortable that I stopped being involved as a person and an artist and that is not something I want."
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"I do not want to sit and make a nest and be comfortable, and I did feel so comfortable that I stopped being involved as a person and an artist and that is not something I want."

"I don't want to have comfort, I don't want to have a family, I don't want to have a flat — so I destroyed in a way everything I had in order to be able to build. It is almost like a delete button and you just want to start fresh."

So said Sergei Polunin, in 2012, when he was 22 and had suddenly quit the Royal Ballet, where he was the youngest dancer ever to have been made a principal.

I'm reading that today because it was presented as related by BBC News where I'd gone to read "Booed tenor quits La Scala's Aida/Top tenor Roberto Alagna has stunned opera-goers at La Scala in Milan by storming off stage in the middle of a performance after he was booed."

That's an article from 2006, which I was reading as a consequence of this search of my own blog archive:
I was looking at that because Meade had texted me a little video that made me think "La Scala" had some personal significance to us that I ought to have remembered — not that everything I should remember is collected in the blog archive.

How is Roberto Alagna doing these days?  The following year he performed in Aida at the Metropolitan Opera and got a standing ovation. I guess he's recovered from the hurt feelings he got being booed. I like the "Early years" section of his Wikipedia article:
Alagna was born outside the city of Paris in 1963 to a family of Sicilian immigrants. As a teenager, the young Alagna began busking and singing pop in Parisian cabarets, mostly for tips. Influenced primarily by the films of Mario Lanza and learning from recordings of many historic tenors, he then switched to opera, but remained largely self-taught....
That makes me think of the movie "Heavenly Creatures." Have you ever seen that Peter Jackson movie, where the girls (one of whom is played by Kate Winslet) go absolutely mad for Mario Lanza?



And what has become of Sergei Polunin? Well, at the end of the article quoted above, he says that ballet was his "childhood goal," and he achieved it at age 19, "And then I said 'what's next?' and I set myself a different goal at 19 to become an actor. I started watching movies more carefully, watching actors - the way they act, the way the movie is filmed, just as a hobby in a way, but also something to progress to maybe in the future." And here he is talking about his role in the 2017 film "Murder on the Orient Express":



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