Title : "Fifty years ago, on December 10, 1967, a private plane carrying Otis Redding and the members of his touring band stalled on its final approach to the municipal airport in Madison, Wisconsin..."
link : "Fifty years ago, on December 10, 1967, a private plane carrying Otis Redding and the members of his touring band stalled on its final approach to the municipal airport in Madison, Wisconsin..."
"Fifty years ago, on December 10, 1967, a private plane carrying Otis Redding and the members of his touring band stalled on its final approach to the municipal airport in Madison, Wisconsin..."
"... and crashed into the waters of Lake Monona, killing all but one of the eight people onboard.... When he came up, in 1962, he was a completely unschooled performer who stood stock still onstage as he sang the pining, courtly ballads that brought him his first success. Over time, however, as his repertoire broadened to include driving, up-tempo songs, Redding found a way to use his imposing size and presence as a foil for his heartfelt emotionality, eschewing the conventions of graceful stagecraft in favor of a raw physicality that earned him comparisons to athletes like the football star Jim Brown. Marching in place to keep pace with the beat, pumping his fists in the air, striding across stages with a long-legged gait that parodied his 'down home' origins, Redding’s confident yet unaffected eroticism epitomized the African-American ideal of a 'natural man.'... And then he was no more. Redding’s sudden death thrust him into the ranks of a mythic group of musical performers that included Bix Beiderbecke, Robert Johnson, Hank Williams, Charlie Parker, Buddy Holly, Patsy Cline, and Redding’s own favorite, Sam Cooke––artists whose careers ended not only before their time but in their absolute prime, when there was every reason to expect that their finest work was yet to come...." — Jonathan Gould (The New Yorker).
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