Title : "When a young woman started work at the New Republic, she would be swept into Leon’s glittering welcome wagon."
link : "When a young woman started work at the New Republic, she would be swept into Leon’s glittering welcome wagon."
"When a young woman started work at the New Republic, she would be swept into Leon’s glittering welcome wagon."
"Maybe it would be lunch at one of his favorite haunts (The Palm, back in his heyday) or a cozy chat (and maybe a sip of bourbon) in his office. The venue shifted, but the purpose was constant: to gauge the newest member of the family’s potential as a playmate. For Leon, women fell on a spectrum ranging from Humorless Prig to Game Girl, based on how much of his sexual banter, innuendo, and advances she would put up with. Once he figured out where to place you, all else flowed from there.... As woman after woman has stressed, Leon’s was not a Harvey Weinstein or Roger Ailes type of predation. No one I spoke with was ever physically afraid of him. Yes, some feared his ability to make their life miserable and ruin their future.... At the same time, many women longed to be in what one called 'the sunlight' of Good Leon. Complicating matters, the owner of the magazine during my tenure, Martin Peretz, had a reputation as a scorching sexist (a tale for another day), and the magazine was seen as something of a boys’ club. Leon always presented himself as a champion of women, which in many cases he was: He helped some women fine-tune pieces, he introduced them to famous and powerful people, he helped them find jobs a step up the career ladder.... As a senior political writer, I didn’t look to Leon for mentoring. Even so, I wanted to stay in his good graces—not merely because I feared Bad Leon, but because Good Leon could be, yes, incomparably charming, funny, and brilliant. I rationalized that I could handle the rest and that his low-level lechery was simply the cost."From "Leon Wieseltier: A Reckoning/Women who once worked at The New Republic reflect on their experiences with the legendary literary editor, who is now facing allegations of workplace 'misconduct,'" by Michelle Cottle (in The Atlantic).
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