Title : "He liked packing up and leaving just like that, going west. He liked getting a role that would take him somewhere he really didn’t want to be..."
link : "He liked packing up and leaving just like that, going west. He liked getting a role that would take him somewhere he really didn’t want to be..."
"He liked packing up and leaving just like that, going west. He liked getting a role that would take him somewhere he really didn’t want to be..."
"... but where he would wind up taking in its strangeness; lonely fodder for future work.... Sam promised me that one day he’d show me the landscape of the Southwest, for though well-travelled, I’d not seen much of our own country. But Sam was dealt a whole other hand, stricken with a debilitating affliction. He eventually stopped picking up and leaving.... Long, slow days passed.... Sam walked to his bed and lay down and went to sleep, a stoic, noble sleep.... I was far away, standing in the rain before the sleeping lion of Lucerne, a colossal, noble, stoic lion carved from the rock of a low cliff.... A long time ago, Sam sent me a letter. A long one, where he told me of a dream that he had hoped would never end. 'He dreams of horses,' I told the lion. 'Fix it for him, will you? Have Big Red waiting for him, a true champion. He won’t need a saddle, he won’t need anything.'..."Patti Smith writes about Sam Shepard (in The New Yorker).
It was interesting reading that today. I love both Patti Smith and Sam Shepard, but I was just reading — also in The New Yorker, the July 31st issue — an essay called "Can Poetry Change Your Life?" by Louis Menand that said something pretty mean about Patti Smith's writing:
A writer with a playlist of culture heroes must also have a list of the undeserving, the fake, and the fallen, and [Michael Robbins, in "Equipment for Living: On Poetry and Pop Music."] does not disappoint us. He writes of the poet James Wright, “It is easy to feel that, if fetal alcohol syndrome could write poetry, it would write this poetry.” He suggests that Robert Hass “has made a career out of flattering middlebrow sensibilities with cheap mystery.” Of Charles Simic: “If the worst are full of passionate intensity, Simic would seem to be in the clear.”I don't know what you think of that writing in Smith's tribute to Shepard, but I think there are about 13 contractions in that short essay. If I were in the mood to imitate Smith's lofty, arty style, I'd blithely, slyly drift from talking about contractions of the 2-words-are-one-word type to an earnest metaphor involving the contractions of childbirth. But I'm just about never in that mood. I'm more in the mood to look up "the sleeping lion of Lucerne" and see if I can get it in Google Street View.
He calls Simon and Garfunkel’s “The Sound of Silence” “wimpy crap.” He says that Patti Smith’s memoir “Just Kids” is “highly acclaimed despite her apparent belief that serious writing is principally a matter of avoiding contractions.” His reaction to Neil Young’s memoir is “It’s depressing to learn that one of your heroes writes like a composition student aiming for the earnest tone of a public service announcement.”
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