Title : 50 years ago today: The Jimi Hendrix Experience released "Are You Experienced?"
link : 50 years ago today: The Jimi Hendrix Experience released "Are You Experienced?"
50 years ago today: The Jimi Hendrix Experience released "Are You Experienced?"
I still have my copy. It survived the proposed great album cull of 1976. I vividly remember my first husband going through the pile of record albums we'd lugged from place to place and selecting "Are You Experienced?" to hold up. "You're never going to listen to this again," he asserted.
Here's the "Are You Experienced?" Wikipedia page:
Soon after the [recording] session began, [producer Chas] Chandler asked Hendrix to turn his guitar amplifier down, and an argument ensued. Chandler commented: "Jimi threw a tantrum because I wouldn't let him play guitar loud enough ... He was playing a Marshall twin stack, and it was so loud in the studio that we were picking up various rattles and noises." According to Chandler, Hendrix then threatened to leave England, stating: "If I can't play as loud as I want, I might as well go back to New York." Chandler, who had Hendrix's immigration papers and passport in his back pocket, laid the documents on the mixing console and told Hendrix to "piss off." Hendrix laughed and said: "All right, you called my bluff," and they got back to work.Lots more detail about the recording at the link. I'll just pick out one more thing:
Although the lyrics to "Purple Haze", which opened the US edition of Are You Experienced, are often misinterpreted as describing an acid trip, Hendrix explained: "[It] was all about a dream I had that I was walking under the sea." He speculated that the dream may have been inspired by a science fiction story about a purple death ray. [Noel] Redding stated that Hendrix had not yet taken LSD at the time of the song's writing... It opens with a guitar/bass harmony in the interval of a tritone that was known as the diabolus in musica during the time of the Spanish Inquisition. The Catholic Church prohibited medieval composers of religious music from using the tritone, or flattened fifth, because as musicologist Dave Whitehill wrote: "to play it was like ringing Satan's doorbell."
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