Title : "You can’t tear yourself away from the results — especially from the fate of Tyler Goodson, an especially open-hearted and forthcoming subject, who you come to care about deeply..."
link : "You can’t tear yourself away from the results — especially from the fate of Tyler Goodson, an especially open-hearted and forthcoming subject, who you come to care about deeply..."
"You can’t tear yourself away from the results — especially from the fate of Tyler Goodson, an especially open-hearted and forthcoming subject, who you come to care about deeply..."
"'S-Town' is expertly constructed, by some of the most talented people in the podcast realm. The incidental music is an intriguing combination of strings and handclaps, urging you along, suggesting wistfulness and contemplation; episodes conclude with a lovely Zombies song, 'A Rose for Emily.' In the end, we empathize with almost every character, and find commonalities between them and ourselves. 'S-Town' helps advance the art of audio storytelling, daringly, thoughtfully, and with a journalist’s love of good details and fascinating material—but it also edges us closer to a discomfiting realm of well-intentioned voyeurism on a scale we haven’t quite experienced before. In the past four days, 'S-Town' has exceeded ten million downloads. Whether the Internet and an audience of millions will share the show’s sensitivity toward its subjects remains to be seen."Writes Sarah Larson in The New Yorker.
You can listen to the series here. I've listened through the whole series once and am an hour away from hearing it all twice. I've thought a lot about what will happen to Tyler. It seems inevitable that less scrupulous people than the "This American Life" team will find him and want to use him for purposes that he may not competently evaluate. He's a young man and — you won't learn this listening to the podcast — unusually good looking. I can't believe there won't be offers to participate in filming a reality show. Wouldn't people love to see that house he's built out of scraps and wisteria vines and a horse trough? Wouldn't people love to hear him talk with Uncle Jimmy shouting "Goddam right!" and "Yes suh!" in the background? What is "This American Life" doing to protect him? What can they do? What should they do?
ADDED: As for the incidental music of strings and handclaps... listen closely to the difference in the music at about 36 minutes into episode IV, right after Cousin Rita says "Cut his nipples off — he's dead." The percussion becomes a snippy-snappy sound that — to my ear — was made with some sort of metallic clippers or loppers.
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