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"It pains me to say it, but I am a failed artist. 'Pains me' because nothing in my life..."

"It pains me to say it, but I am a failed artist. 'Pains me' because nothing in my life..." - Hallo friend USA IN NEWS, In the article you read this time with the title "It pains me to say it, but I am a failed artist. 'Pains me' because nothing in my life...", we have prepared well for this article you read and download the information therein. hopefully fill posts Article HOT, Article NEWS, we write this you can understand. Well, happy reading.

Title : "It pains me to say it, but I am a failed artist. 'Pains me' because nothing in my life..."
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"It pains me to say it, but I am a failed artist. 'Pains me' because nothing in my life..."

"... has given me the boundless psychic bliss of making art for tens of hours at a stretch for a decade in my 20s and 30s, doing it every day and always thinking about it, looking for a voice to fit my own time, imagining scenarios of success and failure, feeling my imagined world and the external one merging in things that I was actually making. Now I live on the other side of the critical screen, and all that language beyond words, all that doctor-shamanism of color, structure, and the mysteries of beauty — is gone. I miss art terribly. I’ve never really talked about my work to anyone. In my writing, I’ve occasionally mentioned bygone times of once being an artist, usually laughingly. Whenever I think of that time, I feel stabs of regret. But once I quit, I quit; I never made art again and never even looked at the work I had made. Until last month...."

So begins "My Life As a Failed Artist" by the art critic Jerry Saltz.

I like the part when he looks at his old work — it's a long series illustrating Dante's "Divine Comedy" —  decides it's "fabulous!," then gets his wife, who's also an art critic, and she looks at the stuff for a long time, and says it's "okay." He's all: “Okay?! What do you mean ‘okay’? I think they’re beautiful. Aren’t they great?”
She turned back to the drawings, looked a little longer, and finally said, “They’re generic. And impersonal. No one would know what these are about. And what’s with the triangles? Are they supposed to be women?” I shot back, “No! They’re Hell!”
There must be at least 10 cleverer ways to answer the question "what’s with the triangles — Are they supposed to be women?" without losing the idea that the triangles were hell. Why aren't we getting better repartee from Saltz? He's an art critic, he's being self-deprecating, and he quotes Oscar Wilde repeatedly:
Oscar Wilde said, “Without the critical faculty, there is no artistic creation at all.”...

[Wilde] wrote that art that’s too obvious, that we “know too quickly,” that is “too intelligible,” fails. “The one thing not worth looking at is the obvious.”...i

Wilde also wrote that “the vague is always repellent.”...
 
Wilde [wrote] “All bad poetry... springs from genuine feeling … It is with the best intentions that the worst work is done.” ... [H]e also wrote, “Criticism demands infinitely more cultivation than creation does.”


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