Title : The argument for putting the label "punk" on Trump.
link : The argument for putting the label "punk" on Trump.
The argument for putting the label "punk" on Trump.
Drudge linked to this piece in The Week by Scott Galupa, who talked to Daniel Wattenberg, an author who "bounced around the punk-rock scene of New York City in a variety of bands" and wrote a 1996 Weekly Standard essay on "the unorthodox right-wing roots of punk rock."New York-centered punk began as "an intramural insurrection within the counterculture," he says. It was the punks vs. their somnolent, sententious hippie older brothers and sisters, who had for years propounded what Wattenberg calls the "reverse pieties" of anti-Americanism and anti-commercialism and white guilt.That does sound Trumpish.
Wattenberg says Trumpism was "an insurrection against Conservatism Inc." — a political establishment that had become flabby, complacent, and self-indulgent in the same way that 1970s progressive rock music had grown bombastic, pretentious, and long-winded.In this analogy, the GOP establishment corresponds to hippies.
Then there's Trump's seeming amateurism — his "inexperience and rawness," Wattenberg says. Just as punks weren't trained musicians, Trump is frequently assailed for not playing politics the right way, that is, the professional way.Very good point, though it credits ordinary politicians with more structured skill and expertise than they deserve.
When Wattenberg hears the media establishment pounce on Trump for falsehoods, misstatements, or exaggerations, he hears echoes of musical sophisticates belittling punk rock for its primitivism. Trump may get lost in the details, but he gets the big things attitudinally right. Put another way: He may know only three chords, but Wattenberg says his followers hear the "right three chords."...Excellent analogy. This article turned out to be much better than I thought it would be.
"There's power in [the rejection of political correctness]. Punks were also occasionally misrepresented as harboring fascist sympathies. Once they call you a fascist, there's nothing more than they can say. That's the source of excitement Milo [Yiannopoulos] generated on campus: 'We're free again.' That's the thrill and the power of busting taboos."
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